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30 Minutes or Less (18A) In this action-comedy, the mundane life of a small town pizza delivery guy collides with the big plans of two wannabe criminal masterminds. The volatile duo kidnaps Nick and forces him to rob a bank.
The legend of the great warrior Conan the Barbarian is reimagined in 3D as this new film hits theatres.
The legend of the great warrior Conan the Barbarian is reimagined in 3D as this new film hits theatres.

30 Minutes or Less (18A)

In this action-comedy, the mundane life of a small town pizza delivery guy collides with the big plans of two wannabe criminal masterminds. The volatile duo kidnaps Nick and forces him to rob a bank. With mere hours to pull off the impossible task, Nick enlists the help of his ex-best friend. As the clock ticks, the two must deal with the police, hired assassins, flamethrowers and their own tumultuous relationship.

Captain America: The First Avenger will focus on the early days of the Marvel universe when Steve Rogers (Chris Evans) volunteers to participate in an experimental program that turns him into the super soldier known as Captain America. As Captain America, Rogers joins forces with Bucky Barnes (Sebastian Stan) and Peggy Carter (Hayley Atwell) to wage war on the evil Hydra organization led by the villainous Red Skull (Hugo Weaving).

Growing up together, Mitch (Ryan Reynolds) and Dave (Jason Bateman) were inseparable best friends, but as the years have passed they’ve slowly drifted apart. While Dave is an overworked lawyer, husband and father of three, Mitch has remained a single, quasi-employed man-child who has never met a responsibility he liked. To Mitch, Dave has it all: beautiful wife Jamie (Leslie Mann), kids who adore him and a high-paying job at a prestigious law firm. To Dave, Mitch’s stress-free life without obligation or consequence would be a dream come true.

The most legendary Barbarian of all-time is back this summer. Having thrived and evolved for eight consecutive decades in the public imagination — in prose and graphics, on the big screen and small, in games and properties of all kinds — Conan’s exploits in the Hyborian age now come alive like never before in a colossal 3D action-adventure film. A quest that begins as a personal vendetta for the fierce Cimmerian warrior soon turns into an epic battle against hulking rivals, horrific monsters and impossible odds as Conan realizes he is the only hope of saving the great nations of Hyboria from an encroaching reign of supernatural evil.

1875. New Mexico Territory. A stranger (Daniel Craig) with no memory of his past stumbles into the hard desert town of Absolution. The only hint to his history is a mysterious shackle that encircles one wrist. What he discovers is that the people of Absolution don’t welcome strangers and nobody makes a move on its streets unless ordered to do so by the iron-fisted Col. Dolarhyde (Harrison Ford). It’s a town that lives in fear. But Absolution is about to experience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known. Now the stranger they rejected is their only hope for salvation. As this gunslinger slowly starts to remember who he is and where he’s been, he realizes he holds a secret that could give the town a fighting chance against the alien force. With the help of the elusive traveller Ella (Olivia Wilde) he pulls together a posse comprised of former opponents — townsfolk, Dolarhyde and his boys, outlaws and Apache warriors — all in danger of annihilation. United against a common enemy, they will prepare for an epic showdown for survival.

At forty-something, straight-laced Cal Weaver (Steve Carell) is living the dream — good job, nice house, great kids and marriage to his high school sweetheart. But when Cal learns that his wife Emily (Julianne Moore) has cheated on him and wants a divorce, his “perfect” life quickly unravels. Worse, in today’s single world, Cal, who hasn’t dated in decades, stands out as the epitome of un-smooth. Now spending his free evenings sulking alone at a local bar, the hapless Cal is taken on as wingman and protĂ©gĂ© to handsome, thirty-something player Jacob Palmer (Ryan Gosling). In an effort to help Cal get over his wife and start living his life, Jacob opens Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style that can’t be found at Supercuts or The Gap. Cal and Emily aren’t the only ones looking for love in what might be all the wrong places: Cal’s 13-year-old son Robbie (Jonah Bobo) is crazy about his 17-year-old baby sitter Jessica (Analeigh Tipton), who harbours a crush on Cal. And despite Cal’s makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading him back to where he began.

In this fifth installment of the horror franchise, death once again proves to be the ultimate stalker as it systematically hunts down a group of friends struggling to escape its relentless pursuit. This time around, death is unleashed on several co-workers as they embark on a corporate retreat for what should be a quick overnight trip. As the charter bus makes its way toward the location, the route takes them over a massive suspension bridge that arches over a river, where raging waters surge 200 feet below. But their fates are seemingly sealed as the bridge splinters apart right in front of their eyes. Sam, the character who had first presaged the accident, desperately tries to figure out a way to save them, with some degree of success … or so he thinks.

Senior Charley Brewster (Anton Yelchin) finally has it all — he’s running with the popular crowd and dating the hottest girl in high school. In fact, he’s so cool, he’s even dissing his best friend Ed (Christopher Mintz-Plasse). But trouble arrives when Jerry, an intriguing stranger (Colin Farrell) moves in next door. He seems like a great guy at first, but there’s something not quite right — yet no one, including Charley’s mom, seems to notice. After witnessing some very unusual activity, Charley comes to an unmistakable conclusion: Jerry is a vampire preying on his neighbourhood. Unable to convince anyone that he’s telling the truth, Charley has to find a way to get rid of the monster himself in this Craig Gillespie-helmed revamp of the comedy-horror classic.

The multi-generational phenomenon that has inspired millions to embrace their inner Gleek will soon bring them together to experience Glee in a whole new way.

Harry Potter and the Deathly Hallows: Part 2 is the final adventure in the Harry Potter film series. The much-anticipated motion picture event is the second of two full-length parts. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

Three very different, extraordinary women in Mississippi during the 1960s build an unlikely friendship around a secret writing project that breaks societal rules and puts them all at risk. From their improbable alliance a remarkable sisterhood emerges, instilling all of them with the courage to transcend the lines that define them, and the realization that sometimes those lines are made to be crossed — even if it means bringing everyone in town face-to-face with the changing times. Deeply moving, filled with poignancy, humour and hope, The Help is a timeless and universal story about the ability to create change.

Management candidate Nick Hendricks (Jason Bateman) has been logging 12-hour days and eating everything his twisted supervisor Dave Harken (Kevin Spacey) dishes out, toward the promise of a well-earned promotion. But now he knows that’s never going to happen. Meanwhile, dental assistant Dale Arbus (Charlie Day) has been struggling to maintain his self-respect against the relentless X-rated advances of Dr. Julia Harris, D.D.S. (Jennifer Aniston), when she suddenly turns up the heat. And accountant Kurt Buckman (Jason Sudeikis) has just learned that his company’s corrupt new owner, Bobby Pellit (Colin Farrell), is not only bent on ruining his career but plans to funnel toxic waste into an unsuspecting population. What can you do when your boss is a psycho, a man-eater or a total tool? So, on the strength of a few-too-many drinks and some dubious advice from a hustling ex-con whose street cred is priced on a sliding scale (Jamie Foxx), the guys devise a convoluted but foolproof plan to rid the world of their respective employers … permanently.

After one day together — July 15, 1988, their college graduation — Emma Morley (Anne Hathaway) and Dexter Mayhew (Jim Sturgess) begin a friendship that will last a lifetime. She is a working-class girl of principle and ambition who dreams of making the world a better place. He is a wealthy charmer who dreams that the world will be his playground. For the next two decades, key moments of their relationship are experienced over several July 15s in their lives. Together and apart, we see Dex and Em through their friendship and fights, hopes and missed opportunities, laughter and tears. Somewhere along their journey, these two people realize that what they are searching and hoping for has been there for them all along. As the true meaning of that one day back in 1988 is revealed, they come to terms with the nature of love and life itself.

Revered by some, feared and demonized by others, George Lucas is undoubtedly the most talked about and criticized filmmaker in movie history. Why have so many Star Wars fans turned against him to decry the release of the Special Editions and the Prequel Trilogy? Why is George Lucas the constant target of bloggers, critics and self-proclaimed devotees? And why are millions of others staunchly prepared to defend him in the face of innumerable accusations? The People vs. George Lucas aims to answer those questions and to impartially deconstruct the cultural legacy of a man whose life, feelings and creative impulses remain largely shrouded in mystery.

A single act of both compassion and arrogance leads to a war unlike any other — and to the Rise of the Planet of the Apes. The Oscar-winning visual effects team that brought to life the worlds of Avatar and Lord of the Rings is breaking new ground, creating a computer-generated imagery ape that delivers a dramatic performance of unprecedented emotion and intelligence, and epic battles on which rest the upended destinies of man and primate.

When the evil wizard Gargamel chases the Smurfs out of their village, they’re forced through a portal, out of their world and into ours, landing in the middle of New York’s Central Park. Just three apples high and stuck in the Big Apple, the Smurfs must find a way to get back to their village before Gargamel tracks them down.

On the surface, Marissa Cortez Wilson (Jessica Alba) has it all ... married to a famous spy hunting television reporter, a new baby and intelligent twin step-kids. But in reality, trying to mother Rebecca (Rowan Blanchard) and Cecil (Mason Cook), who clearly don’t want her around, is her toughest challenge yet. Also, her husband, Wilbur (Joel McHale), would know a spy if he lived with one, which is exactly the case — Marissa’s a retired secret agent. Marissa’s world is turned upside down when the maniacal Timekeeper (Jeremy Piven) threatens to take over the planet and she’s called back into action by the head of OSS, home of the greatest spies and where the now-defunct Spy Kids division was created. With Armageddon quickly approaching, Rebecca and Cecil are thrust into action when they learn their boring stepmom was once a top agent and now the world’s most competitive 10-year-olds are forced to put their bickering aside and rely on their wits. With a little help from a couple of very familiar Spy Kids, Carmen (Alexa Vega) and Juni Cortez (Daryl Sabara), and some mind-blowing gadgets, they just may be able to save the world and possibly bring their family together while they’re at it.

When a mysterious event from Earth’s past erupts into the present day, it threatens to bring a war to Earth so destructive the Transformers alone will not be able to save us.

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